July 21, 2018 § Leave a comment
It’s not about throwing rubbish in the ocean, in case you were wondering. One morning in 2015 I watched the sun rise over the ocean from Goubert Avenue in Puducherry (Pondicherry) in India, and saw an elderly couple who appeared to be enjoying the moment in a similar fashion, until I saw the man swing a big plastic bag full of rubbish forwards and backwards, and then fling it out into the waves. That’s not what this blog is about.
Instead, the title of this blog is about recognising that when we act in this world, we cannot control how our actions are received by others. All we can do is to drop it in the ocean, we don’t know what the ocean will do with it.
The title comes from a specific time in my life. I had just submitted my PhD thesis for examination, and was trying to figure out what to do next. In the process of finalising the text of my thesis, something happened that made me realise that I cannot control how others receive my actions. A friend helped me to understand that this was a lesson worth learning.
One last thing: saying “I cannot control how others receive my actions” is not the same as saying “I’m just going to do whatever I feel like doing.” Since that time of my life, I have learned a couple of other things. One is that it’s worth learning to distinguish where it matters what others think of you, and where the only thing that matters is what you think of yourself. Another thing I have learned is that there are things I can do to increase the chances that others receive my actions the way I intended them to be received.
July 7, 2018 § Leave a comment
Friday 6 July, 6pm-10pm, CL and me, guitar, trumpet, tin whistle and a copy of the Buskers’ Code. We start at Founders Arms near Blackfriars Bridge. Discuss possible locations. Agree that on a scale of exhibitionism between 0 and 10 we’re probably looking for a 5.
We set up between Founders Arms and Bankside Gallery. I knock over my beer. After 10 seconds of playing a resident tells us to shut up.
Fortunately, a passing musician tells us about a formal busking site by the river near the Tate Modern. Unfortunately, there’s a guy setting up his guitar amp there when we walk by.
We toy with the idea of setting up outside the Globe theatre. Which is an open air theatre. So no.
We set up under Southwark Bridge. Great acoustics for unplugged playing. We play one song before a guy tells us we can’t play there. He’s a Hungarian musician with years of busking experience. Apparently he had this location booked until 7.30 and someone else has it from 7.30 onwards. When the new person arrives we move on.
Opposite the entrance to Southwark Cathedral, which is flying a LGBT Pride flag, is a large block of rock that provides us with a seat, a gap between two office buildings that gives a breeze from the river, and an appreciative audience in the form of customers at the Mudlark pub and passers-by, which facilitates level 5 exhibitionism. In the opinion of our audience, the highlight of our set appears to be an extended freestyle reggae interpretation of the outro of “Demon Cleaner” by Kyuss, featuring CL on trumpet and vocals (but not simultaneously).
On the way back to Blackfriars we tip our Hungarian mentor, who is back in the Southwark Bridge spot playing bassoon with a friend on trumpet.
January 9, 2017 § Leave a comment
Last night a blues musician I saw perform a couple of years ago sat down next to me on the Overground.
December 12, 2016 § Leave a comment
Landscape photography by me (you can consider these photos licensed under the Creative-Commons CC-BY-NC license); map and colour code are photos I took of pages from Laurence Ward’s 2015 The London County Council Bomb Damage Maps 1939-1945 which is available to buy.
The attack on London between 1939 and 1945 is one of the most significant events in the city’s modern history, the impact of which can still be seen in its urban and social landscapes. As a key record of the attack, the London County Council Bomb Damage Maps represent destruction on a huge scale, recording buildings and streets reduced to smoke and rubble. The full set of maps is made up of 110 hand-coloured 1:2500 Ordnance Survey base sheets originally published in 1916 but updated by the LCC to 1940. Because they use the 1916 map, they give us a glimpse of a ‘lost London’, before post-war redevelopment schemes began to shape the modern city. The colouring applied to the maps records a scale of damage to London’s built environment during the war – the most detailed and complete survey of destruction caused by the aerial bombardment. A clear and fascinating introduction by expert Laurence Ward sets the maps in the full historical context of the events that gave rise to them, supported by archival photographs and tables of often grim statistics. (https://www.amazon.co.uk/London-County-Council-Damage-1939-1945/dp/0500518254)
September 20, 2016 § Leave a comment
September 9, 2016 § Leave a comment
a crisper sound
Now to get some work done